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Do you know what it means to be someone's property?

It means being used, but only when they want to use you.

Sometimes it's less often than you would wish for. Sometimes it's more. Your view on frequency does not matter. They are not there to make you happy. Physical objects don’t get frustrated from not being used. Neither do they get overwhelmed from being used too much. Sometimes, they might get a bit worn out or dusty, but with proper care, it is usually fixable. Maintenance is what gives things their history and what adds to their depth.

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On handling rejection in rope

I do have a lot of experience with rejection in tango because the specifics of this dance and the social norms surrounding it are basically built around the notion of rejection. I think that my experience from tango can be really well translated into rope reality and can be helpful to some people. It certainly has been for me as I think that it is one of the reasons why I can quite often avoid rejection altogether and I handle it pretty well if it happens.

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To me, rope is about losing control

I started bottoming in a community where the presence of active power bottoms was very prominent. (…) In the beginning, I was trying to become like those models as they were the only role models that I’ve had. However, after some attempts, I started feeling like there is something in their approach that did not fit my personality and the reasons why I loved rope. (…) It was leaving too much control in the hands of the model (at least seemingly) and that was the opposite of what I wanted. 

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To me, rope is about exploring the limits of the mind

I am currently trying to define what drives me in rope bondage so that I can understand better where I stand in the realm of rope bottoming and (hopefully) make it easier for people who hear my thoughts on it to interpret them and find a place for them within their own definitions. (…) These are some of my reasons for doing rope bondage and my personal approach to it. I hope that you will have some pleasure from reading it and take from it what you feel like.

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On the merit of patience in rope models

I haven’t always been a patient model. In fact, I used to be a very impatient and annoying one. I used to be a model that would always want to be played with and entertained and couldn’t stand rope tops practising things on her. (…) I became a very patient and obedient model. (…) I would like to share here the realizations that brought me to that mindset, as I do think that patience is one of the most important qualities for creating beautiful kinbaku that a model can have and that it doesn't only benefit the riggers but also the models themselves.

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Erotica, Objectification Door Erotica, Objectification Door

The quiet space of being an object

It began as an intense abuse and ended in silence. They were torturing her, throwing her around, exposing and humiliating her. They were causing her pain or pleasure at their whim. They were using her for their entertainment. And when they would get tired of the play, they would leave her tied up and disoriented and start kissing and pleasuring each other. Becoming, what it seemed like, completely oblivious to her existence.

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Thoughts on my approach to rope modelling after my first ever public rope performance

I can't even express how privileged I feel to have given my first rope performance as a model of amazing Soptik in the School of rope run by Kirigami and Tenshiko in Milan. It was a small and intimate show, intended for the audience to experience a real session that could happen between the two of us in private. Around 40 people were allowed to have a peek into our dynamic (almost) without a filter. And I believe that for some it was an intense experience. Maybe even as intense as it was for me.

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My thoughts on objectification in Japanese rope bondage and the differences between the ways that the Japanese and the Westerners do rope

Some time ago, I’ve been teaching a workshop on objectification in rope with Soptik and during one of the feedback rounds an interesting statement was made by one of the participants. They indicated that they are currently mainly practising Naka style and therefore objectification was a very unnatural (but also interesting) way for them to treat their model. I was extremely surprised by this statement because the way that I see Naka style is that it is extremely objectifying.

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Kinbaku, Rope workshop Door Kinbaku, Rope workshop Door

Lessons on the poetics of kinbaku from Barkas and Addie

A while ago I participated in a workshop by Barkas and Addie on their interpretation of Yukimura style at the beautiful Atelier Simonet in Paris. The number of inspiring concepts in that workshop was so enormous that it took me a while to process them into a condensed form. I finally did it and here are the most important thoughts that were born during or as a result of the workshop.

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What I want to experience in rope is You

I tie with different riggers who have very different styles, but there is a conviction amongst the people who know me that my prefered style of being tied in, is the more traditional Japanese rope bondage, let’s call it kinbaku (I realize that it is a vague term, but I think that most of the people reading this post will have some idea of what I mean). Therefore, often when I say that I enjoyed tying with someone who doesn’t fit into that box, I get very surprised reactions.

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Erotica, Submission Door Erotica, Submission Door

Sometimes, I wish that you’d kiss me more

I don't dare to tell you that, because I don't want you to think that I'm greedy (which I am) or ungrateful (which I am not).

I do cherish every single moment when your soft lips touch mine like it's my last moment on Earth. In fact, at that moment, I wish that it was the last one. I wish that I could just stay like that forever, captured in an illusion of us together, loving and tender.

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Lessons on shame, objectification and humiliation in rope from Soptik and Door

Recently, I've been a model for an amazing workshop by Soptik on objectification and humiliation in rope. He asked me to be his partner because, as he says, I'm a 'perfect object'. I guess that what he means by that is that I let people do anything to me without fighting back. And I enjoy it. It was very interesting to be able to show and share with people the states in which I love to be, but also in which I am at my most vulnerable.

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Erotica, Humiliation Door Erotica, Humiliation Door

You like your cruel games

Sometimes I wonder if his cruelty has any borders. And what's wrong with me for being drawn exactly to that cruelty? He is capable of doing things to me that are beyond my imagination. Showing me that I will go further than I ever thought is physically or mentally possible. And then even further than that. I will stretch my limits so thinly that single strings begin to snap, just to catch a glimpse of entertainment in his eyes. Just to amuse him for a little while.

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I just think that I should be used

Some people might call me a slut, but I don't think that I am one. As far as I understand, being a slut is about enjoying sex and having as much of it as possible because you have pleasure from it. I don't care about my pleasure. I just think that I should be used. Other people should have pleasure from my body. That's their right.

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On the pleasure of feeling shame

Shame is a problematic emotion. In principle, it is a negative and not desirable one, of course. Especially for women, shame about our sexuality is deeply ingrained in us culturally, partly as a means of control. If you can control someone's sexuality, you can very easily gain control over other aspects of their lives, as you thwart their self-expression and don't allow them to look for the answers by themselves (yes, I do kind of say that everything, in the end, is about sex).

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